Aristotle[1] is of opinion that no animal has a voice which
does not respire, and that hence it is that there is no voice in
insects, but only a noise, through the circulation of the air in
the interior, and its resounding, by reason of its compression.
Some insects, again, he says, emit a sort of humming noise,
such as the bee, for instance; others a shrill, long-drawn note,
like the grasshopper, the two cavities beneath the thorax receiving the air, which, meeting a moveable membrane within,
emits a sound by the attrition.—Also that flies, bees, and
other insects of that nature, are only heard while they are
flying, and cease to be heard the moment they settle, and that
the sound which they emit proceeds from the friction and the
air within them, and not from any act of respiration. At all
events, it is generally believed that the locust emits a sound
by rubbing together the wings and thighs, and that among
the aquatic animals the scallop makes a certain noise as it
flies.[2] Mollusks, however, and the testaceous animals have no
voice and emit no sounds. As for the other fishes, although
Some birds sing all the year round, others only at certain
times of the year, as we have already mentioned when speaking of them individually. The elephant produces a noise
similar to that of sneezing, by the aid of the mouth, and in-
dependently of the nostrils; but by means of the nostrils it
emits a sound similar to the hoarse braving of a trumpet.
It is only in the bovine race that the voice of the female is the
deepest, it being in all other kinds of animals more shrill than
that of the male; it is the same also with the male of the
human race when castrated. The infant at its birth is never
heard to utter a cry before it has entirely left the uterus:
it begins to speak at the end of the first year. A son of
Crœsus,[6] however, spoke when only six months old, and, while
yet wielding the child's rattle, afforded portentous omens, for
In addition to the preceding, there are still some singular circumstances that deserve to be mentioned with reference to the voice. If saw-dust or sand is thrown down in the orchestra of a theatre, or if the walls around are left in a rough state, or empty casks are placed there, the voice is absorbed; while, on the other hand. if the wall is quite straight, or if built in a concave form, the voice will move along it, and will convey words spoken in the slightest whisper from one end[7] to the other, if there is no inequality in the surface to impede its progress. The voice, in man, contributes in a great degree to form his physiognomy, for we form a knowledge of a man before we see him by hearing his voice, just as well[8] as if we had seen him with our eyes. There are as many kinds of voices, too, as there are individuals in existence, and each man has his own peculiar voice, just as much as his own peculiar physiognomy. Hence it is, that arises that vast diversity of nations and languages throughout the whole earth: in this, too, originate the many tunes, measures, and inflexions that exist. But, before all other things, it is the voice that serves to express our sentiments,[9] a power that distinguishes us from the beasts; just as, in the same way, the various shades and differences in language that exist among men have created an equally marked difference between us and the brutes.
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